Diane Sherlock

  • Character and Movement, part two

    The few things I’ve learned so far from the Alexander Technique at Body Chance are that your head is always in motion, your head and neck are attached behind your nose (focus on that while writing or walking and see what happens), your arm is a larger-than-imagined hinge and the glide hinges are at the…

  • What would you fight for?

    The University of Notre Dame has been running a series for years now called What Would You Fight For? Each week during football season, they televise one and post it online. What would you fight for? Seriously. Is there anything and if not, why not? It’s another way of asking, “what are you passionate about?”…

  • Getting it right: research & addiction

    Recently, I’ve been in rooms with various artists who are unfamiliar with the dynamics of addiction even though many creative people struggle with addictions of one form or another. With (for example) 54% of playwrights as alcoholics, it’s no surprise that a large percentage of books, plays and screenplays include the subject in large or…

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